Tag Archives: knitting charts

Charting Conventions – a guest post by Kate Atherley

When knitters encounter their first chart, there’s usually a bit of a learning curve, and often a fair bit of consternation.

When I teach classes on this, the question I always get is the entirely-reasonable “WHAT DO YOU MEAN THE SYMBOLS CHANGE MEANING?”.

Perfectly fair! This seems like an absurd thing to do.

And it’s not just knitters who have this question – designers often wonder, too.

I thought it was worthwhile to go back to the beginning, to talk about why charts are the way they are, since this is the foundation on which the software is built.

A chart is, simply, a picture of the right side of your work. It’s a view of the pattern stitch from that one side.

So then, in the simplest possible example, a section of stocking stitch is a ‘plain’ chart:

Screengrab of a chart with all knit stitches

A smooth chart for a smooth fabric, if you will.

And garter stitch becomes something that actually looks like garter stitch:

Screengrab of a knitting chart with rows of purl dots. The key has RS knit, WS purl, and RS purl, WS knit against the two stitch symbols.

Those purl dots represent the garter ridges!

It’s done this way so that even if you’re not naturally a charts-reader, you can use it as a tool to check your work. After all, when confronted with a set of long instructions like this, you honestly have no sense of what the end result is going to look like….

Cable Pattern

Row 1 (RS): K1, p1, k4, p1, k1.
Row 2 (WS): P1, k1, p4, k1, p1.
Row 3: K1, m1r, p1, 2/2 RC, p1, m1l, k1. (10 sts)
Row 4: P2, k1, p4, k1, p2.
Row 5: K1, m1r, k1, p1, k4, p1, k1, m1l, k1. (12 sts)
Row 6: P3, k1, p4, k1, p3.
Row 7: K1, m1r, k2, p1, 2/2 RC, p1, k2, m1l, k1. (14 sts)
Row 8: (P4, k1) x 2, p4.
Row 9: K1, m1r, k3, p1, k4, p1, k3, m1l, k1. (16 sts)
Row 10: P5, k1, p4, k1, p5.

I find that sometimes it’s easier to read charts if you don’t (initially) look at the legend. The legend ends up causing some confusion, particularly because in the second case, there’s extra information you don’t need. For the garter stitch chart, the WS definition for the empty square, and the RS definition for the purl dot appear, potentially confusing things further.

This version is simpler, especially to a chart-novice’s eye.

Screengrab of a knitting chart with rows of purl bumps. The key has RS: knit, WS: knit against the two stitch symbols

Although again, this usually prompts another fairly reasonable and related question: “why can’t you just use the same symbol for the knit stitch?” And in the time-honoured tradition of parents answering children’s questions, I’m tempted to respond, “it just is, and it will make more sense when you’re older.” Not entirely fair, perhaps, but true!

The key is to focus on the chart and what you’re seeing, rather than starting by trying to read the legend.

Consider this chart:

Screengrab of a knitting chart with two columns of purl dots.

Even without the legend, you can see that it’s communicating pretty clearly that there’s a 2-stitch knit rib, a 2-stitch purl rib and a 2-stitch knit rib.

But if you try to chart this with the stitches “as written”, you’d end up with a nonsensical mess:

Screengrab of knitting chart with alternating sets of 2 purl dots, 2 knit squares in alternate spaces.

It’s not wrong, but it immediately removes the benefit of providing a visual check of what you’re doing.

So yes, although at first blush the standard convention seems a bit silly, it’s actually helpful to do it that way.

And the direction you read the rows is important, too. You read the chart in the direction you knit: Right to Left on right-side rows, and Left to Right on wrong-side rows. Again, it’s all for the same reason: so that the stitches line up and you can read the pattern and the fabric. It’s also an extra clue to make sure you’re reading it properly!

How A Designer Can Help A Newer Chart Reader
Two key things:

Make sure that your row numbers are appearing on the correct sides. If the chart is worked flat and starts with a RS row, 1 goes at bottom right, and 2 goes on the left, and so forth. If it starts with a WS row, 1 goes at bottom left.

And if it’s worked in the round, all the row numbers go on the right-hand side.

Screengrab showing 3 knitting charts with different row numbering

And remove definitions that aren’t required. If a stitch isn’t being used on the WS, then that definition just doesn’t need to appear. Compare these two legends:

screengrab of two knitting chart keys side by side. One has two definitions per symbol, the other has one.

The ease with which you can edit the legend in Stitchmastery is massively helpful here.

(A small sidenote: in this second example, I’ve removed the RS: indicator – that’s more of a personal choice.)

If you’re a designer, see also this post https://www.stitchmastery.com/the-other-side-guest-post-by-kate-atherley/ for strategies for dealing specifically for pattern stitches worked in garter stitch, with both sides as knits.

Charting Brioche and Fisherman’s Rib Patterns – a guest post by Kate Atherley

Brioche (and related) pattern stitches are enormously popular at the moment. They create wonderful textured fabrics, with lots of drape and visual interest. They’re terrific ways to use up busy variegated yarns, too – two-colour brioche is my absolute favourite application for an outrageously variegated yarn. These type of stitch patterns – also sometimes knownContinue Reading

Backwards and Forwards – a guest post by Kate Atherley

I need to make a confession: when I chatted to Hannah for my Stitchmastery user interview, she asked me an important question. She asked if there were any features I’d like to see in future versions of Stitchmastery, anything I wished it could do. I replied in an instant: mirroring! A long time ago, IContinue Reading

Grading pattern repeats for garments and larger projects: Part 2 – guest post by Kate Atherley

In a previous column, I talked about ways to place and size pattern repeats for small projects like mittens and I’ve also talked about placement of larger patterns in garments. Now let’s tackle the question of smaller patterns in larger projects. This sort of thing: Amy Herzog’s February Fitted Pullover (a free pattern on Ravelry).Continue Reading

“Grading pattern repeats for garments and larger projects” – guest article by Kate Atherley

In a previous column, I talked about ways to place and size pattern repeats for small projects like mittens. But of course, pattern stitches are often used in garments too. There are three key differences when designing garments: you’ve got more stitches and therefore a larger canvas, different parts of the garment are more (orContinue Reading

“Grading + Pattern Repeats” – a guest post by Kate Atherley

This lesson is little different than some of the others I’ve written: this one is designed to share a little less about how I use Stitchmastery and provide more of an insight into the design process itself. A problem that designers often struggle with – and one that you may well have encountered yourself withContinue Reading

“On Untidy Row Repeats” – guest blog by Kate Atherley

In my last column, I talked about finding stitch repeats to collapse large charts.  In that situation, there was only one basic pattern motif being worked, and so there was a straightforward solution for reducing the charts. If you have more than one distinct motif, it can get a bit more challenging. I recently designedContinue Reading

“Getting Bigger” – guest post by Kate Atherley

My last couple of columns have been all about dealing with repeats. In this column, I want to talk about finding them, to make your life much easier. A designer posted a terrific question in the Stitchmastery Ravelry forum, about how to create the chart for a triangular shawl. She said that it was takingContinue Reading